thrashturbate:

10/10 would bang.

But also:

10/10 would care for you
10/10 would tuck you in
10/10 would cuddle
10/10 would make sure you get to sleep okay
10/10 would make you breakfast in the morning

I want you to hold my hand while we grocery shop. I want you to play with my hair while we watch our favorite tv shows. I want you to kiss me in the middle of my sentence because you wanted to taste my words. I want you to rub my back as we fall asleep. I want you to play my favorite song when I look sad. I want you to do these things without having to think about them. Do them because you love me.

(via jessielou24)

darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
Zoom Info
darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
Zoom Info
darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
Zoom Info
darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
Zoom Info
darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
Zoom Info
darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
Zoom Info
darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
Zoom Info

darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne

1. Phillip Potter. Gay is Good,1971, printed 2014

Digital C type print on Kodak Endura Matte
© Phillip Potter

 2. Phillip Potter. Queens, 1971

3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973

4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis

5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed

6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart

7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73

You may not agree with a woman, but to criticize her appearance — as opposed to her ideas or actions — isn’t doing anyone any favors, least of all you. Insulting a woman’s looks when they have nothing to do with the issue at hand implies a lack of comprehension on your part, an inability to engage in high-level thinking. You may think she’s ugly, but everyone else thinks you’re an idiot.

Hillary Clinton   (via idioticteen)